Showing posts with label Writing Tips. Show all posts
Showing posts with label Writing Tips. Show all posts

February 16, 2026

Share Your Expertise with Style My Soul

 


Style My Soul Welcomes Writers, Readers and Literary Artists

Are you a writer or subject matter expert ready to showcase your insights?

Entertain this opportunity to grow YOUR portfolio of work.

Share original literary pieces with a growing global readership.

Written submissions are welcomed here.

Podcast pitches can be submitted here

October 29, 2025

Outback Odyssey By Paul-Rushworth Brown

 

Credits: Writers Series | Guest: Paul Rushworth-Brown

Meet Paul Rushworth-Brown

Paul Rushworth-Brown is an Australian historical fiction author and educator whose writing blends realism, emotion, and truth-telling. Born in England and raised in Australia, he draws on his own experiences working in the outback and teaching history to craft stories that explore identity, belonging, and the legacy of colonisation. His latest novel, Outback Odyssey (Historium Press, 2024), reimagines post-war Australia through the eyes of a Yorkshire migrant drawn into the spiritual world of the outback. The book has been praised internationally for its empathy and authenticity and was recently nominated for the NSW Premier’s Literary Awards. Through his work, Paul invites readers to see Australia not just as a landscape, but as a living story — one that remembers. He also has authored Skulduggery, Red Winter Journey and Dream of Courage. Credit: Paul Rushworth-Brown

His interview is also available at ❤️iHeartRadio

Credit: Outback Odyssey


September 22, 2025

Fiscal Follies By Author Daniel C. Munson

 

Credit: Sasha Talks | Writers Series, Guest Daniel C. Munson


Meet Author Daniel C. Munson

Daniel C. Munson worked for many years as a chemical engineer and has written for national financial magazines such as "Barron's" and "Financial History" for over twenty years. He has also written for technical and regional history journals and authored a regional history book. In "Fiscal Follies," Munson pricks the bubble of scientific pretension that surrounds economics and finance and the social sciences generally in a humorous, light-hearted way, pointing out precisely why these forms of “science” are so different. As a free-lance writer, Daniel's been successful in getting published ~20 times in national magazines. His professional experiences as a chemical engineer contribute to his unique insights among global freelancers. Credit: Daniel C. Munson; Fiscal Follies
 
Daniel's Writer Series appearance is also available @ ❤️iHeartRadio.  
 
  

August 10, 2025

"The Steps Between Us" By Lauren Gibbons Paul

 

Credit: Writers Series, Guest Lauren Gibbons Paul

 

Meet Lauren Gibbons Paul

Lauren Gibbons Paul is a Boston-area writer. She worked as a freelance business/technology journalist for more than 30 years. Her pivot to fiction coincided with taking up ballroom dance lessons seven years ago. Lauren was immediately fascinated by the glamorous world -especially the instructors - most of whom come here from other countries. This world is a perfect backdrop within which to explore themes of wanting to belong, wanting to be seen, making one's way in America. Credits: Lauren Gibbons Paul; Clippings.Me.

Lauren's Writer Series appearance is also available @ ❤️iHeartRadio
 

 

Credit: The Steps Between Us By Lauren Gibbons Paul

August 06, 2025

Meet Andrew Robinson: Storyteller, Writer & Published Author

 

Credit: Writers Series By Sasha Talks; Guest: Andrew Robinson

 
Meet Andrew Robinson
 
Andrew Robinson is a veteran writer who crafts stories through blending his life experiences and curiosity to explore the unknown. Andrew's storytelling has garnered attention from audiences spanning across multiple genres within the fiction and non-fiction realm. These publications include children's books, young adult sci-fi series, murder mysteries, memoirs, comedies, screenplays, short stories, television pilot series, comic books and the list keeps growing! Also as a former owner of a publishing company, he dispenses technical guidance and wisdom to enlighten flourishing writers among the audiences. Writers discover his favorite punctuation as Andrew humbly shares how his work attracts new writing opportunities from clients worldwide. This conversation navigates through tales that exemplify the purpose of writing - to bring people together to share their experiences. Credit: Andrew Robinson.  

 Andrew's Writer Series appearance is also available @ ❤️iHeartRadio

August 03, 2025

"The Defiant Crusade" By Julian Morris-Haaker

Credit: Writers Series By Sasha Talks; Julian Morris-Haaker

 Meet Julian Morris-Haaker

Julian Morris-Haaker is a self-published author who has been in the business of telling tales regarding war and conflict on a fantastical scale for nearly 10 years. He primarily writes fiction, a hybrid of science fiction and fantasy ,where he challenges peoples' perceptions of conflict to reveal there is so much more that goes on beneath the surface. Telling stories and writing poetry has been a coping mechanism since Julian's parents passed away. He applied his personal experience of pain and grief to begin his journey of becoming an author. This outlet has granted him an opportunity to tell fantastical tales exhibiting defiant hope and rage against the inevitable. The four books of the series are as follows - Airborne: The Defiant Crusade, Landfall, Vigilance, and Galvanic Eruption. Credit:  Julian Morris-Haaker.

 Julian's Writer Series appearance is available @ ❤️iHeartRadio.

July 14, 2025

Writers Series Welcomes You

 

Credit: www.sashatalks.com

Overview

Writers Series, Limited Edition, returns to the airwaves following a global hiatus after hosting a successful season with celebrated global authors & writers representing the fiction and non-fiction literary genres. Professional writers, authors and journalists are welcome to discuss their latest works as well offer audiences a glimpse into their relationship with the craft of writing.

This audio series is shared in the English language among six continents. Also, the series belongs to major global directories. Our past guests hail from the United States, Canada, United Kingdom, Australia, Southeast Asia, Ireland; etc. Join the literary circle to elevate your message today!

June 24, 2023

Stormless by Nick Stitle


Credit: Stormless by Nick Stitle

Meet Nicklas Stitle, fantasy author of his first book Stormless. Injuries forced Nicklas to stop playing tennis after his freshman year of high school which granted him an opportunity to begin working on the story he had been carefully putting together in his mind.  He began writing Stormless at the age of fifteen, waking up early everyday to work on the story before school by crafting characters he could relate to and creating a new fantasy world. By incorporating valuable advice from industry experts wanting to help the young author, Nicklas completed Stormless at the age of seventeen. His second book The Fire King is close to completion; as well he's currently planning books three and four in the series. He hopes to inspire other young writers to achieve their dreams. Credit: Nicklas Stitle; www.nickstitle.com


June 06, 2023

The Forest is the Tree by Michael Marvosh

 

Credit: Writers Series, Guest Michael Marvosh

Meet Michael Marvosh, a new author and aspiring speaker and thought-leader. He is working to make real his vision of a world no longer divided by religion--a vision which grew out of his upbringing and ongoing inner struggle with what to believe about the truth, along with a keen awareness of the myriad ways the modern world seems to be tearing itself apart. His first book, The Forest is the Tree, is the result of a nascent version of this vision. He is starting a 21st-century conversation about what it means to be human--about what brings us together and what pulls us apart. Credit: Michael Marvosh.

March 31, 2023

Nural Seker Shares What Can't Be Taught

Nural Seker lives in Melbourne, Australia with her husband, two children and their beloved Miniature Schnauzer, Albert. Nural and her family love soccer and actively support Melbourne Victory in the A-League. Nural graduated from RMIT University in 2001 completing a Bachelor of Applied Science (Applied Physics). In 2005 Nural received her Master of Applied Science, also from RMIT University, before going on to complete her Graduate Diploma of Education (Secondary) in 2005 from Monash University. Nural went straight into teaching and hasn’t left since. In 2022, she received completion certificates for coaching and practitioner in Neuro Linguistic Programming and Time Line Therapy™, in addition to in practitioner Hypnotist certification.​ During her teacher career, Nural has taught Mathematics, Science, and Physics from years 7 – 12. She loves teaching and working with students and families. She has also spent several years as a middle years and senior years coordinator and has spent time, leading the middle and senior school coordination teams. In these roles, she Nural has gained valuable experience and insights into students, families, and teachers. Nural has begun her business Learn What Can’t Be Taught to do just this. Her website and course are currently under development at www.lwcbt.com.au.

Credit: Writers Series | Nural Seker


March 08, 2023

Can ChatGPT Threaten a Writer's Job Security?

Credit: Writers Series | Guest Emily Goodwin

Meet Emily Goodwin (she/her), she is a passionate researcher and writer with a background in journalism before making the leap to Digital Marketing Coordinator at Neon Supply, which suits her just fine since she also has a knack for project management and organizational systems implementation. Writing is a core part of her daily duties as a marketer and is interested in how technological advances will shape the future of writing. 

February 17, 2023

How to Write a Book and Get It Published

 

Credit: Author Joseph M Lenard


​Joseph, welcome back to Authors by Sasha! What motivated you to write your latest non-fiction book "How to Write a Book and Get It Published"?
I love doing podcasts and so very grateful for all who had me on to discuss “Terror Strikes: Coming Soon to a City Near You” and many of them queried whether I’d return for a follow-up to discuss Writing and Publishing in general. Happy to do so, we talked about so many things not covered by others in generic “How to Publish on Amazon” type books. That was the impetus to then put it in print too. A chance for me to aid other “considering to become Published Author’s” as well as a “behind-the-scenes” look for avid readers as to “How do books get published and become available for me to buy/read?”

​How were you introduced to the craft of writing?

​I have the artistic/creative gene in me from my father’s side of the family. My father was the Founder/Leader of “Ted Lenard Jr. and The Polka Kings” whom from you can still found their three official vinyl 33rpm and 45rpm releases. I dabbled in music, but then we didn’t have the Internet to directly release materials like we do today. So, I moved on more-so toward poetry, jokes (I’ve had a few local professional comedians indeed adopt a few of them in their stage-routines), short-stories, novels, and the like published locally. I’ve written a lot over the years, just “Terror Strikes: Coming Soon to a City Near You” and now “How to Write a Book and Get It Published: Hints, Tips & Techniques” (HTWABAGIP) are Internationally Published.

As a writer hosting a collection of blogs, poetry and books, what factors determine the type of writing you will produce next?

I love this Question!! In HTWABAGIP outlined how everyone’s “process” can “vary” and there is no 100% correct way. I provide Hints, Tips & Techniques, for consideration; but at end-of-the-day one has to go with what is “comfortable” for them. And in these respects, my writings are generally inspired by, come to me in my, Dreams – inspiration can come from anywhere, anytime, however.
  
If you had to define your style of writing, how would you describe it?

​I jokingly say: HAPHAZARD! But seriously, I certainly intend to be “like no other” and along those lines in “Terror Strikes'' I introduced what no-one ever has before – not only the “Book within a Book'' writing style and formula, but shred the oft too used formulaic guidelines and added a “Blog within a Book'' as well as what I hope people find as “refreshing” and somewhat “different” style though Bowker “Score-It”TM Service said of, rates as, my Fiction writing like that of Dean Koontz. https://TerrorStrikes.info/scoreit But, of course, HTWABAGIP is Non-Fiction but covers all genres.
  
Joseph, your portfolio of creative work holds over two dozen copyrights. What do writers need to know about the importance of copyrighting their work?

​Yes, copyright is important legal protection. There is, however, a corner, what was previously held-up in courts; not sure it still would be, consider at own risk; and as discussed in https://tinyurl.com/WriteAndPublishSupplement (additional FREE ADVICE, not in the Book), called “The Poor Man’s Copyright” which is to at least send certified mail several copies in sealed envelopes (to keep sealed) that would then have the postmark on the package. Again, CONSIDER AT OWN RISK, where possible officially get your work copyrighted.

Some creators face writer's paralysis because they're overwhelmed with the pressure of becoming a #1 Best Selling Author. This impacts their ability to produce quality content that can be appreciated by the masses. What have you learned about the writing space once you achieved the #1 Best Selling Author milestone?

​It is a wonderful status to have, but do NOT put such pressure on yourself as to say if it doesn’t happen, you’re somehow “unsuccessful” in any-way-shape-or-form; as you can still sell plenty of copies without achieving such status. Write the best book you can, and then THE FREE MARKET decides!
  
The latest release "How to Write a Book and Get It Published" delivers guidance to writers to refine their craft. Please share an insight for each of the following references below? 
  
A writing hint: Have book buddies! You need family, friends, etc., to “bounce ideas off of” and as noted in the EDIT chapter – edit, edit, edit, the more eyes on it the better – things can often be overlooked even by hired/trained/professional editors.
  
A writing tip: As the saying goes, you’ve likely heard: write about what you know! Fiction is often based on some reality, variations upon actual locations, create “composite characters” made up from traits (physical, psychological) of/from people you know (NOT be 100% a real person, unless you’re writing non-fiction. Obviously, this is a “brief answer” and be sure to read the whole HTWABAGIP to delve further into the full/whole concepts.
  
A writing trick: A trick I used Writing HTWABAGIP was; since I’d discussed these things with podcasters; to take some shows, have them transcribed, denote from which show they came, and included portions in the Book.
  
Joseph, what were some of the creative writing courses that you enjoyed while developing your communication skills? Is there a specific type of course that you would recommend to audiences?

Yes, every book has to have a beginning, a middle, an end, and can and usually does not include everything. I could not go in-depth about writing itself, and each person’s style will be different. I suggest, if you’re just getting started, or perhaps have not written many pieces yet, attend a community school (public, private, whatever) creative-writing course to help with additional tips on how to develop your own style.
  
How has your writing technique evolved over the course of your writing career?

Times, of course, change, and language to some degree has adapted too (at least, slang, regional dialects, colloquialisms, etc.) but beyond that I try to stay “traditional” as possible with language and my “style” pretty much stayed the same. However, having said that, a sci-fi book is generally written differently than a romance novel – for sake of wide example; and indeed discussed in HTWABAGIP.
  
In your opinion, what aspect of writing needs more attention in today's age due to the subtle shifts in the realm of human communication?

I am only going to address this abstractly. Like I did, as a former I.T. guy, recognize we are in the Internet age, therefore most understand what a “blog” is and why I included such as a “variation from norms/standards” to be “different!” We’ve seen in our movies, presentation of information and plot points via social-media posts interactions; and some may want to include such in their book (especially, if targeting young adult audience)! As the saying goes: Know your Audience – and engage in what would attract them.
  
Based on your historical experience, what makes your contribution to the craft of writing unique?

Again, I’ve introduced the “Blog within a Book” which, who knows, is now “out in the literary world” and we’ll see how many may or may not want to adopt it as “something different and unique” versus (and your publisher and/or editor may give push-back, like mine did, but “Terror Strikes” was/is “my book” and something I insisted on keeping) as many in publishers are pretty “traditional” and “uncertain” (likely norms/traditions) breaking new/different ground.
  
What is the best guidance you've received when you started out your writing career?  

I indeed had “Creative Writing” type classes in high-school and at the college (other post-schooling) settings and they are going to stay in the “traditional” realm for the most part; it is then up-to-you how much “outside the box” you decide to go/get as part of your style. So, take peoples’ advice with “a grain of salt” as the saying goes – take my advice: YOU BE YOU!
  
Many people have a story inside of them that needs to be penned and read by audiences yet they hesitate to pen their thoughts because the writing corner is perceived to be a crowded space. What have you learned about the publishing space during the past few decades? 

Yes, true, absolutely a pretty much undisputed fact – the bookshelves at your local bookstore alone are crowded, and that is but a fraction of books available. Most books, these days, as much as I like to support local/small business and mom/pop shops, sold online are said to be 80%-ish all sold by/with/through Amazon. DO NOT LET THAT STOP YOU, write your best story, and let the free market (actual readers, not some advisor) decide if it will sell. There is a market for anything/everything – which is where there is a “MARKETING” chapter as once published you’re not done, time to promote and make people aware your book, what it is about, is available; indeed in that crowded space. But you are you, your book is yours, NOT another Author’s content – let people know you are an alternative to all the other “stuff” out there. Yes, there are a lot of books out there, more introduced weekly, however – people read lots of books, many often looking for “new/different” content, and some will make room for yours in their library.
  
What writing tip has contributed to your productivity in creating quality and time content for readers?

I’m sure those looking on, here, will understand. I can’t give away all the secrets here! LOL Please buy “How to Write a Book and Get It Published: Hints, Tips & Techniques” as I’m trying to make sure all know – this book goes well beyond just the “technical” how to put a book on Amazon. From conceptions, to ‘Writing, to Editing, to Publishing, to Marketing/Promotion’, and more therein.
  
Book covers are also discussed in "How to Write a Book and Get It Published". Some writers place a lot of emphasis on them while other writers discount their importance. How would you guide your mentees to understand the significance of book covers in the marketing process?

There is no 100% right or wrong answer – though most publishers will agree. You know the saying: Don’t Judge a Book by its Cover. That line is BUNK! Yes, judge people, as Martin Luther King Jr. says on “Content of Character,” however the first thing anyone/everyone sees it your cover – IT MUST GRAB THEIR ATTENTION, or they’ll never go to the back to see any synopsis or snippets to further attempt to entice them with/by (even if just online images, rather than physically holding it in a store). Then, hopefully, they may open it up (physically, or virtually if you’re offering a “sneak-peek” inside (which you should, where you can), to learn even more – potentially your “About the Author” or “About the Book” or your “Foreword” if you’ve had someone write one (which you should, as your “first review”) or potential “Praise for” section. All, of course, discussed the importance of in HTWAGAGIP.
  
From your observation, what are some common mistakes that novice writers make when working on their first book?

Insecurity! Remember the old Saturday Night Live “Stuart Smally” routine? Repeat “I am good enough” and GO FOR IT! Mistakes (aside from the obvious of mis-spellings and the like) can indeed also be a matter of opinion, everyone has one, that’s why we discuss Style (including a degree of Grammar usage), and again YOU DO/BE YOU – that is why you want to hire (and usually through a Publisher on their Staff) to aid with correction of mistakes/errors (while being sure you do not confuse “Style” and “Mistake” differentiations and what stays versus what indeed “Edit updates” you accept for/in YOUR BOOK! But, yes, early books, you will most likely want to “accept” most suggestions a professional editor is presenting in the edit phase of the process.
  
If you had to pen an additional chapter in your latest release, "How to Write a Book and Get It Published", what topic would you focus on and why?

​What a PERFECT question. I say in the book, and during every interview, no book is every really fully completed – there will always be things that could be changed, added, reworked, etc., but comes a point (but not early on) where (and why there is a chapter on) DEADLINES AND CONTRACTS come into play. And, why, in both my Internationally available books there is an ONLINE SUPPLEMENTAL INFORMATION links, and HTWABAGIP is no different – check out https://tinyurl.com/WriteAndPublishSupplement for more.

Joseph, please share with audiences the latest projects you're working on and how they can support your work.

There are indeed several and I’ll share the “Working Title'' (yup, you guessed it, see HTWABAGIP all about the distinction) of two: “So Tired” and “Living Hell” as well as so many others in my head a few that have “Story Outlines” (yup, see HTWABAGIP for more on that) started – where any and every book should start. HTWABAGIP, due to so many asking for Tips, Tricks & Techniques, got bumped ahead of those! Keep eye on my Author Website for more: https://JosephMLenard.us

October 13, 2021

Co-Author Paul Donsbach Presents The Bronze Scroll

 

Credit: Paul Donsbach


Paul, Welcome to Authors by Sasha!  Please introduce yourself and share with audiences how you were introduced to the world of writing?

Hi, Sasha, thank you for inviting me. I really enjoy your work and especially how you emphasize the spiritual aspects of your guests’ careers, achievements, and aspirations. This is really important and has become a big part of my work life too. As a first-time author of an adventure-romance series, I got involved in writing to indulge my curiosity about what spirituality really means in our daily lives. I’m an attorney in my “day job” and, from that perspective, have a strong belief that the truth is knowable and can be learned by looking at something from every angle and breaking it down with the right balance of objectivity, skepticism, and creativity. From my experience, this works much better as a team process, and I’ve been extremely fortunate to team up with a co-author who shares the same vision.

As the co-author of "Knights of the Lost Temple", book one tells the story of The Bronze Scroll. Where did the idea of this adventure-romance novel come from?

Working with my co-author, Alia Sina, we wanted to explore the world’s spiritual traditions through a story of adventure, romance, and discovery in both the ancient and modern worlds. Although we have different backgrounds and perspectives, we’re both big fans of mystery stories, and we wanted to combine all these elements into an adventure-romance series with a spiritual dimension. We chose the so-called Copper Scroll as our first mystery because it was supposed to be unsolvable, which we viewed as symbolic of the modern era, when all the great discoveries seem to be behind us. The Copper Scroll is a treasure map that was actually made of bronze and which lists 60 mysterious treasure sites in and around Jerusalem that no one’s ever been able to figure out.

The story revolves around at least three characters which include Sam Romero, an investigative attorney; Rebecca Schreiber, a reporter and Roy Griffin III, a rogue executive who's holding Rebecca hostage. How many characters are there in the first book, The Bronze Scroll, and how were you able to manage the character development process ensuring each person was fairly represented given their role in the story?

The first book has those three main characters and seven others who are important to the story. Before we started writing, we spent a month or two creating the characters and their backgrounds and stories. We wanted to get a strong sense of their personalities—their hopes and dreams and even what they look like—before we began writing the book. It felt at times like an audition process, as though we were interviewing characters to see if they would fit in our book. They became vividly real to us, and we knew that we would need a full series of books for their stories to fully unfold.

Which character was the most challenging to develop in the book writing process? Why?

Rebecca has been our most challenging character as writers. Working with Alia is pure magic, but it’s also a humbling experience. Even when I think my draft contributions are quite strong, Alia always has better ideas and greatly improves the original ideas and writing. This is particularly true in our writing about Rebecca. It turns out that all of my insights and perspectives on feminine emotions and behavior have been completely wrong. Co-writing Rebecca’s story with Alia has been a tremendous learning experience. Comically, the reverse is not true at all. Alia always understands Sam’s thoughts and feelings perfectly well, and I never have to explain the male perspective. It tells you quite a bit about the power of feminine insight that this is such a one-way street.

One of the goals of the book was to convey the 'impossible' from a real perspective as well as make possible the impossible. When working with the co-author Alia Sina, how were you able to balance each writer's perspective to be reflected sensibly throughout the novel?

Early in our writing process, Alia and I realized that the synthesis of our different writing styles and ideas was a perfect mirror of the ideas we wanted to write about. Despite our different backgrounds—Alia as a believer in new age Islam and miraculous possibilities, and me as a skeptical fan of science and logic from a Christian background—our common belief in the goodness of people and in the power of unity and tolerance created a workspace that made writing each chapter seem almost effortless. We began to understand each other’s perspectives so well that we could even start editing our own contributions from the other’s mindset, creating a surprisingly cohesive writing style and narrative.

Paul, in your opinion, what elements of writing enrich the storytelling process when a story embodies mystery, suspense, adventure and romance?

Alia and I both wanted to write about characters and a story that captures the intensity of how each of us feels about our lives and loved ones. Alia is married with young children, and I’ve never known anyone so deeply committed to her family and personal values. I’ve often been told that I can be fairly enthusiastic and opinionated about the things that I care about too. We agreed that an adventure-romance story based on an unsolvable mystery would be the best way to capture the intense emotions and experience of living “normal” lives in our modern world. Every day is really a miracle, and we wanted to celebrate that.

How does romance play a role in The Bronze Scroll? Would the omission of romance affect Sam Romero's commitment as an attorney to save Rebecca Schrieber from her circumstances?

Romance is life! This is really the essence of what our characters experience on their journeys. Romance is so much more than two lives shared together. It’s really about openness to the magic of connection, spirit, and love. Even if Sam and Rebecca hadn’t fallen in love, their relationship would still involve the sharing and togetherness that make life meaningful. Sam would still move mountains (or find a lost Ark) to rescue Rebecca, as she represents the goodness of the human soul and the power of higher purpose. Both in her career as a reporter and in her personal life, Rebecca has an unshakable commitment to ethics, truth, and meaning—along with a stylish flair for elegant fashion, farm-to-table cuisine, and seductive glances. Sam would do anything to stop Roy from harming her and, in our story, this means solving that impossible ancient mystery known as the Copper Scroll.

Credit: The Bronze Scroll


The story references pieces of history which include Flavius Josephus' writings, the Great Revolt in 66 CE and historical events taking place in Jerusalem. These references supplement the realism of characters and their mission as they are in search of the hidden truth. 

What was the purpose of integrating these references into the story?

How do you define the word 'truth'? 

Out of all the characters represented in The Bronze Scroll, is there any character that is struggling more than others to identify with their 'truth'(s)?

When we started writing our novel, we trusted that Sam would learn enough about the Copper Scroll’s mysteries to rescue Rebecca and stop Roy’s sinister plans. But we never expected Sam and his friends to solve all of this Dead Sea scroll’s mysteries and figure out where all of that treasure was hidden. Sam knew better, and he started with the writings of the ancient historian Flavius Josephus. He downloaded the e-book version and ran word searches taken from the treasure sites listed on the Copper Scroll. As the supposedly unsolvable mysteries unraveled one by one, what emerged was a heartbreaking story of love and loss from the Great Revolt in 66 CE involving a father and son who found themselves on opposing sides of a civil war within the Judean revolt.

What we learned is that the Copper Scroll was really made as a peace message from that father to his son and from the Judean rebel leadership to the occupying Roman forces. This truth—that reconciliation and peace are the only paths forward—seems equally important today, as more children die in seemingly endless cycles of senseless violence. To Alia and I as writers, truth is really about the values that give meaning to our lives. The facts matter greatly, but the whole point of solving mysteries is to learn more about the deeper meanings within our lives and in the world around us.

For Sam, this journey has been especially difficult, as he started learning the surprising truth about his early life and family and the conflicts and challenges awaiting him. Having always relied on reason and logic to guide him, he must now learn to trust the unseen as he embarks on a mysterious spiritual path without knowing where it will lead.

The treasure map in the story relays messages through metaphors and legends. How were you able to integrate these riddles into the adventure's unfolding story without compromising the suspense for the readers?  

As a writer, is there such a thing as lacing in too much suspense into a novel that it starts to distract readers from the main theme of the work?

As our characters began to uncover the metaphors and legends hidden within the Copper Scroll’s treasure descriptions, we had to discard our “unsolvable” mystery plot line and adapt our story to a more optimistic narrative. Maybe nothing is impossible after all. If even fictional characters in an adventure novel can decipher an ancient treasure map, does that mean that reconciliation can be possible and peace can be more than a dream? We knew that revealing the lost Ark’s hiding place would need to be saved as a suspenseful ending to the book, but we didn’t realize that this legendary artifact could have so much meaning for the modern world. Who knew that it could be a symbol of interfaith understanding and brotherhood?

The positive themes of change are exhibited throughout the book which call for unity, diversity and inclusion. This serves as a form of inspiration for the characters as well readers. 

What does inspiration mean to you? How does this inspiration impact your decisions as a writer?

It's often said that inspiration comes from within. But, in our case, we feel that our characters are inspired by what connects them to each other and to the divine. As writers, we believe that this sense of unity is a great source of inspiration. It starts with inner reflection, of course, but for us life is also about shared experiences and active engagement in the world. We feel that our writing decisions reflect this sense of wonder about the connections between people, regardless of their backgrounds or beliefs.

There is a reference made to miracles as these characters search for the hidden truth. How do you define a miracle in the context of The Bronze Scroll?

Our characters experience miracles as the events in their lives in which physical limits are transcended by the force of universal love. As he awakens into a more spiritually centered life, Sam begins to learn the truth about his life and destiny through mysterious dreams and legends that become increasingly important in his life.

What will be unique about the second book in 'The Knights of The Lost Temple' series as it's being written?

Most of our characters are returning for the second book, The Last Pharaoh. Sam travels to Egypt, Greece, and Italy on work assignments and runs afoul of an organized crime ring looting archaeology sites. After another whistleblower report, he wonders how this crime ring could possibly be involved in a massive data breach. Will he solve another mystery? Will the sparks of romance between Sam and Rebecca lead to true love? What about that secret knighthood? We can’t wait to find out!

Spirituality is sprinkled in the book celebrating its diverse traditions that can assist with dissolving conflict in society. 

What aspects of spirituality resonate with you? 

How were you introduced to these different facets of spirituality?

When I was 13 years old, my sister died after a long fight with leukemia. She was only a year older than me, and we were quite close. As she struggled to stay with us at the hospital, a nurse hugged me and held me until the end. The most wonderful feeling of joy and peace enveloped me, and I could sense my sister’s soul passing to a realm of pure love. Like Sam in our novel, my life since then has had a split-screen quality. On the one hand, I’ve always felt deeply connected to a sense of having directly experienced the divine, my own soul, and those of my loved ones. But like my sister, my conscious mind and body have often felt resistance and struggle against a seemingly capricious creator who can take everything we love away from us for no reason at all. I want to continue exploring this tension between the conscious mind and soul, and I want to understand better what it means to be an eternal being experiencing mortal life in what can seem like an unpredictable world.

Paul, you're also a lawyer. When did you discover that a renewed commitment to spiritual ideals is a viable alternative to mitigating society's historical and present challenges?

Like many lawyers, I began my law school studies with a sense of excitement about having a career that can serve justice and the common good. But, as every lawyer quickly learns, our legal system isn’t very good at doing this, and it often seems that we’re just serving ourselves with insider games and mindless conflict. I think we owe it to our clients to do better, which I have come to believe means reinvigorating the values that created our legal system in the first place. How can we work for justice if we don’t even talk about what that means or how to balance the needs of society with personal freedom?

No sensible person wants our government to tell us what to believe or how to honor the divine. But does the public space have to be a spiritual vacuum, with logic and reason unmoored from the values that make life meaningful? Many thoughtful writers have pointed out that our world’s current problems—growing inequality, racial intolerance, violence, and climate change—are essentially spiritual in nature. Mankind has made moral progress to be sure, but this has always been achieved through expressions of shared values and spirit, not the empty legal calculus and rules that govern so much of our society today. This is one of the reasons I wanted to start writing, so that I can use my experiences to help those calling for change.

For writers wanting to entertain a partnership in writing, how was your experience collaborating with a co-author?

Working with my co-author Alia has been such a wonderful experience that I can’t imagine ever writing a solo project. Not only are the writing and plot so much stronger, but the process really becomes a joy. Hardly a day goes by that one of us isn’t calling up the other, excited about a new story idea or something new in our writing.

What writing tips do you have for fiction writers?

Writing should be fun. When Alia and I started writing The Bronze Scroll, I had assumed there would be difficult days and I might even get writer’s block. None of that ever happened, and both of us thought it was the most enjoyable work we had done.

Live in the moment. The old advice about writing from your experience is so true. I would go beyond that and say that being present while you’re writing is important too. Take time to meditate or relax before you start a writing session. It will make a huge difference and will surprise you with what happens next.

Think big. It’s often said that dreams come true. Our thoughts become our reality. This is so true, so why not take this approach to your writing? You might even solve an ancient mystery or meet someone new who’s just like one of the characters in your book.

Please share with audiences how they can support your work. 

Thank you for asking and, first of all, please consider donating to help the current Afghan refugee crisis through the Red Cross, the Red Crescent, or another charity working on this problem. Alia grew up in an Afghan American family and feels a personal connection to this crisis. Promoting unity and solidarity across borders is one of the themes of our book series, and we hope that potential readers will consider helping in this time of need.

Then, for potential readers, The Bronze Scroll is available in local stores and on Amazon and Google Books, with links available on our website: www.knightsofthelosttemple.com.

February 16, 2021

Mistress of the Rock by Myron Edwards

Credit: Myron Edwards

Myron, Welcome to Kreative Circle! Your childhood traces back to England where you completed your academia prior to pursuing a career in the travel industry. What type of arts and literature were you introduced to while growing up?

Thank you Sasha for the opportunity to be on Kreative Circle. My first steps into creativity was as a very young lad, probably about six or seven. We were asked to design clothes for a doll or toy figure. I produced a Scottish soldier complete with kilt and boots. My teachers were so impressed they asked the local school inspector to view my work. I got top marks for that. But shortly after my results began to fall off. One morning we had an eye test and I was found to be as blind as a bat, I couldn’t tell the figure of a dog from that of a cow, I was diagnosed short sighted and needed glasses. When I moved to secondary school my education was not too good, I only did well in English, Drama and Economics, I was bad at Maths and Geography, so how I became a travel agent is beyond me. 

How did working in the travel and airline industry influence your life outlook and creativity while nurturing your growth?

When I started in travel, I worked first as a Saturday boy stamping brochures, selling Insurance policies and theater tickets. After I finished school I had a permanent job in the agency. I stayed for a couple of years before branching out to work in London. On my commutes I would often put pen to paper and write a few lines, not really thinking about doing anything with them. Of course travel broadens the mind so whilst working in airlines and tour operations I would come into contact with organisations who had various degrees of travel requirements, some of these were straightforward A-B requests, but on occasions others would be more elaborate, like a twelve or fifteen stage itinerary complete with a program of events. This would require me to create a program for the participants along the lines of a conference or incentive program. To win the business particularly in Incentive travel you had to be creative as this was very lucrative. During my travel career I organised conferences and incentives in Hong Kong, Portugal, Spain, and incentive groups in the Far East, Australia as well as the States.

In the mid 1970's you started working as a freelancer for BBC radio and television. How were you introduced to the BBC organization? What did you learn at BBC which helped you refine the art of writing and storytelling?

I fell into writing for the BBC, as prior to this I was a drummer in a pop rock band, the lead guitarist and singer is a guy called Phil Campbell, who had previously worked as a runner for Hammer Films, the makers of numerous horror films, starring the likes of Christopher Lee, Peter Cushing and Vincent Price to name but a few. So Phil suggested we get together as he had a friend who needed some scripts for a hospital radio program. We produced the scripts and were left with a plethora of material which Phil sent to the BBC. One of those jokes got selected by ‘The Two Ronnie’s’ who at the time were probably the leading comedy duo on TV and we had our material on their Christmas show. Once bitten by the comedy bug, we looked around for more places to approach, we chose ‘Hudd Lines’ which starred and was performed by the late Roy Hudd, the Producer was John Lloyd MBE, who is also the Producer of ‘Not the Nine O Clock News’ and Black Adder as well as many other comedy shows. Now we were in the BBC, all be it on the fringe, we wrote for a satirical show called ‘Week Ending’ starring David Jason who went on to become ’Dell Boy’ in Only Fools and Horses. Some of the Producers on ‘Week Ending’ became household names like Gryth Rhys Jones and the late Douglas Adams of ‘Hitchhikers Guide to the Galaxy.’ I also started to try some one off scripts and was picked up by BBC Scotland who produced a show called ‘A kick up the 80’s’ with Tracey Ullman. Phil was writing for Dick Emery by then. All these people in many ways contributed to my education in writing, I don’t think I would have written much had it not been for this experience.

Your credits at BBC radio and television include The Two Ronnie’s, Week Endings, and The News Huddlines.
What was the most challenging assignment you had at BBC and why?
What did you learn from this opportunity?
What advice do you have for writers seeking opportunities in the news and media broadcasting field?

The most challenging aspect was without doubt getting into the BBC. ‘The Beeb’ as it is affectionately known is like an inner sanctum, you have to work at it to be accepted, you have to constantly churn out material and that material needs to be good. The standard of writing is exceptional. So to be involved in the creative process was an achievement in its own right. The doyens of script writing all began at the BBC, producing some of the best writers in that genre over and over again. One guy who stands out is a chap called Andy Hamilton who is a genius of comedy, if you were to look through his CV he has credits in every major production the BBC produced since the 70’s. What did I learn probably the most important lesson in life whether it is writing or something else and that is: Never Give Up! That is probably the best advice I can give to writers even today. What format the BBC uses now in freelance contributions I don’t know but I think they do still accept material for their shows, you probably need to contact them first and check what they are looking for. I suspect that goes for all media too. 

Credit: Mistress of the Rock


How did your wife Niki play a role in introducing you to Cyprus, Greece? What was the unexpected discovery that inspired you to write your first book Mistress of the Rock?

My Wife is Greek Cypriot second generation, although she was born in London, her parents are Greek Cypriot a bit like me as both my parents were Welsh, but I was born in England. The role Niki played was for us to visit the famous landmark of Aphrodite’s Rock (Petra Tou Romiou) for lunch. So call it kismet or fate, we went for lunch in a restaurant overlooking the rock. Whilst we were there we talked about the legend of the Goddess of Love, which was a conversation that was mainly about me not believing in the myth or in the legend, doubting any veracity to the story. But something caught my attention, it was a poster on the wall, an aerial view of the rock produced by the Cypriot Tourist Board, which clearly showed an image of a woman under the sea. The irony is I have never been able to trace that poster again and even when I went back to the restaurant some months later it was nowhere to be seen. That was my epiphany moment and the beginning of the story. 

What was the epiphany that provided emotional and intellectual fuel for you to pen Mistress of the Rock and Scylla: The Revenge?

Seeing the image in the sea provided me with a plot line, but I knew I could not write the story unless I could live some of it. That is to say I needed to do more research and I needed to be closer to the location than I was in the UK. As it happens both of my kids were at an age where it would be possible to move them across to Cyprus because the education they were getting in the UK was not great. It would offer them a new life and at the same time give Niki and her Mum and sister more time to spend together, as both were living in Cyprus already. Once I settled in and got a job and a house I could look at the idea of the Mistress again. I wrote a screenplay first, showed it to some people who suggested I turn it into a book. I did this for a Christmas present for Niki, she read it, liked it and gave it to others to read. They said I should get it published. I contacted a local publisher in Nicosia who asked for a synopsis and then a manuscript, the following week he called me and asked me to go to his office. We published 5,000 copies in English and Greek. I think the encouragement I got from people convinced me to find a publisher. With Scylla the circumstances were much different, as my previous publisher had gone bust due to the Cypriot financial crisis. 

Credit: Scylla: The Revenge

Aphrodite's Rock is a famous landmark on the island of Cyprus. What are the few characteristics of this landmark that are only known by the locals?

Petra Tou Romiou or ‘The Rock of the Greek,’ has two legends the first of course is the birth of the ‘Goddess of Love, Aphrodite’ so beautifully captured in Botticelli’s masterpiece, where she is pictured emerging from a conk shell, although the background shows no trace of the rocks in the picture. The second, where the literal translation of ‘Rock of the Greek.’ refers to the Greek hero Digenis Akritas who defeated invading hordes by hurling a huge rock from the Troodos Mountains at them. By far it is the Aphrodite legend that attracts the tourists, not just for its sheer beauty and magnetism, being described as one of the most romantic places on the planet which may be an exaggeration but there is no doubting the sheer majesty of its sunsets against a backdrop of a spectrum of natural colours, utterly breathtaking and is no doubt why so many newlyweds come to the rocks to have their first wedding pictures together on ‘The Island of Love.’ 

Myron, your genre of writing is fact fiction. Can you please share an overview of this specific niche of writing?

There are seven basic plots to writing:
  • Overcoming the Monster.
  • Rags to Riches.
  • The Quest.
  • Voyage and Return.
  • Comedy.
  • Tragedy.
  • Rebirth. 
Mine doesn’t fit into any of these as fact fiction. Why because it is a fiction based on a fact and vice versa. The myth of Aphrodite is after all just a legend, but the rock in the water is a fact. Whether you believe it or not to be the image of the Goddess is entirely a personal choice, but there is no disputing that the rock is there. Hence fact, the fiction is in the story, and the blending of myth with reality. In particular the episodes where Richard Cole suffers with his PTSD, are also aligned to the plot of the story. I think this and again it’s my personal opinion that this story cuts through the basic plots and introduces a new perspective that of Fact Fiction novels. 

At what point in your writing process did you decide the story 'Mistress of the Rock' will unfold in the form of a trilogy?

Mistress of the Rock has evolved, first as a screenplay to test its merit, second as a one off book a gift for my Wife, thirdly as a published book. Each stage in this journey has taken me to the next level. Had there not been the crisis in Cyprus I am fairly confident that this would have become a film and it would probably have stopped there. That didn’t happen, so it fell upon me to progress the story. Purely by chance I was looking around on how to do this waiting for my contract to expire from my first publisher before approaching anyone else and during that time I read about a Cryptid (Sea Monster) which is said to inhabit the coasts around Ayia Napa beach resort, the locals call it “To Filiko Teras” the friendly monster. With the way book one ends, this gave me the opportunity to combine this legend with that of the Aphrodite one so as to be able to move the story forward. I took both books to my new publisher in the States, James Hill, and Proprietor of Rock Hill Publishing who produced both books. The way book two ends gave me the opportunity to do book 3 as the climax to the whole trilogy. 

What is the name of your latest Trilogy and what inspired it?

I have settled on the title Alpha and Omega The Return, it seems fitting as the Greek translation of Alpha and Omega means the beginning and the end. This third book is possibly the best of all, as first of all it is really about Julie, Richard Cole’s Wife. It is also written from her perspective. As a male I have never before written in the persona of a female, I have used female characters of course, but not as the central one. I hope I have got it right. What I am particularly pleased about is Julie’s transformation from suburban housewife to that of a heroine. I won’t say any more than that as I don’t want to give too much away. But I think it could even stand alone as a story with a few adjustments. 

Myron, tell us about your writing process. What has hosting over 40 years of writing experience taught you about your relationship with audiences among the field of radio, TV, advertising and writing books?

What a great question. Each topic that you mention has its own audience and therefore its own requirement. If the brief is to write one liners, you need to have at least twenty or more to show the producer, consistency as I mentioned before is essential with this type of comedy. Addressing the audience means understanding the product, which applies across all media. It is the same with advertising, knowing the product and its merits allows you to develop ideas and take those ideas into full blown campaigns which cut across all mediums. So if a product can be promoted on TV would it work as well on radio, or in print or on posters? Will it have the legs and be sustainable as a household name? Does it have a strap line that could become part of the language example “Have a break, have a Kit Kat.” In fact some of the most famous of all campaigns came just by chance. In the case of Kit Kat the agency had been working on the ad for days and couldn’t come up with something, until one writer said, “We have been doing this for hours, let’s take a break.” The rest is history. Book writing is a different science whereas script writing and advertising is time conscious. Books can be written over a period of time and require more detail, more research, this important time element gives you the opportunity to not only build your story and characters but also the chance to evaluate how this plays to your audience, you can also adapt your writing to a particular audience genre. 

What books and authors have impacted your writing career?

No one in particular has influenced me or my style of writing. I have tried to keep my own style in my books. Of the authors who I perhaps have followed one man and his books stand out as unique, that is the late George McDonald Fraser of the Flashman series of books, the way he writes and uses Flashman as a foil for his adventures is ingenious, as he takes the anti-hero of Tom Brown’s schooldays and turns him into the most loveable rogue who travels around the world seeking pleasures in all shapes and sizes, but the clever thing is he interweaves the story line with actual facts, putting Flashman in the heat of the action. Of course I enjoy the classics, Dickens, Oscar Wilde and Stoker, as well as more contemporary writers such as Stephen King, James Herbert and Peter Benchhley to name but a few. 

What is the best professional writing tip you've received in your career? In the past decade? From your friends and family?

In short never give up.

Myron, what activities do you entertain to relax when you're not writing?

I watch football, I have followed Tottenham Hotspur since 1961, and when this pandemic is over I will be going back to the Spurs Pub in Limassol to watch the games again. I also enjoy a game of pool, and of course spending time with the family. We are lucky we have a beach not too far away so in summer we go there.

If you could only choose one book as a reference guide for your life, which book would you choose and why?

In all honesty I would choose Mistress of the Rock, not just because I wrote it, but because it has lessons to offer, about love and jealousy, fear and terror, belief and passion, friendship and courage. That it is what I would choose, because it evokes all of these emotions in the ultimate test of true love. 

Please share with audiences how they can support your work.

Bookshops selling Mistress series 2021.

Mistress of the Rock @ Amazon
Scylla: The Revenge @ Amazon

Mistress of the Rock @ WHSmith
Scylla: The Revenge @ WHSmith

Mistress of the Rock @ Foyles
Scylla: The Revenge @ Foyles

Mistress of the Rock @ Bookshop
Scylla: The Revenge @ Bookshop

Mistress of the Rock @ Barnes and Noble
Scylla: The Revenge @ Barnes and Noble

All books are also available at Rock Hill Publishing.

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